Sailors on the Sea

Tuesday, March 16, 2010

Growing Old With My Stories

I have read how storytelling has gone through its stages. The result being, stories that were classics in the 1800s would have been rejected in the 1920s. And stories from the 1920s would not be accepted in the 1950s. And those would not make it in the 1980s, and the 1980s stories wouldn't make it now.

I suppose it's a bit like another form of entertainment: vaudeville. Hysterically funny. Until about 1930-40. Then it seemed to lose it's charm.

It got something of a rebirth in the form of television. Most of the early comic shows were basically vaudeville routines. Those lasted until the 60s, when situation comedies and variety shows took over.

Variety shows ended in the 1970s. So did the really good situation comedies.

Now it's phony reality shows and horrible things like dancing with the stars and idol. If I believed they weren't staged I might like them better. As it is, I don't watch any of them.

But for the person who truly liked the old shows - Dean Martin, Andy Williams, Nat King Cole, Carole Burnett - watching a new one would not be bad. It would be refreshing.

Same is true of the situation comedies such as Dick Van Dyke, Andy Griffith, and I Love Lucy.

My problem is I PREFER those shows to what's on today. Just as I tend to prefer the older written stories to what is being written today. A matter of taste, I suppose. A sign of age? I don't think so. I know several people near my age who adore the current stuff.

Guess I'm just a dinosaur in disguise.

And that's the way I write. Old.

haha

Monday, March 15, 2010

The Silent Actor on a Deserted Stage

You know, sometimes I throw too much effort at a thing. It's fun. I enjoy it immensely. And I find myself devoting far too much time with it.

When the object of my - obsession - is a story, it's great. I churn out words like goose droppings. And they're probably about as useful. haha

But when it's something else my writing suffers. My creative forces are directed elsewhere, and no stories get written.

That's what's been happening for the last ten days or so. I got myself involved in one of those online gaming worlds and I'm having a blast play acting like I'm living in medieval Europe. Having never been to Europe I have no clue how realistic it is. But it's fun.

Still, after ten days I'm finding my thoughts drifting back to my writing. I can never abandon it long. Even when I'm frightfully discouraged. Writing is kind of who I am, I guess. I'm not nearly so good at it as I desire. Kind of like the would-be actor/actress watching plays from the wings and wishing s/he could be out there, too. And when the performance is over and everyone has left the theatre, s/he sneaks out on stage and performs a soliloquy to an empty house.

But I sense another writing surge on the horizon. Or around the corner. Or bubbling up from within. Wherever it comes from, it's near.

Tuesday, March 9, 2010

Steps in a Process

Well, the first rewrite of my new story is complete. It was a slow go, and it took twice as long as writing it.

Yes, I know. Good editing takes even longer. I heard how some people spend three months writing a story as long as the one I wrote in a two weeks (40,000-words), and then spend the rest of the year editing it into something publishable.

Unfortunately for me, I lack the editing skills to achieve that kind of success. I work hard and read what I've written and make all kinds of changes. And when I'm finished I think I really have something. Then someone who really knows how to edit looks at it and shows me that I really found just a small percentage of the faults.

So that's where I am now. I wrote the story. It's a hero story starring my latest here: Fire Red, a young woman who possess the power of fire and electricity. The setting is a couple hundred years after the Great Wars, which destroyed much of the earth's environment and its population. In fact, it is because of the Great Wars that Fire Red has her power.

I've edited the story. Trying to find inconsistencies, poor sentence structure, and confusing points. I think I did all right. But I know someone else will look at it and wonder why I didn't proof read before giving it to them.

That's where I'm at now. Looking for someone to read it and tell me why it still needs work.

It never ends, does it?

Sunday, February 28, 2010

You Can't Rush Art

I'm probably wrong about this idea I have. After all, what do I know? But I just realized something.

I begun the year with the goal of writing one million words this year. I came within about 40,000-words in 2009. So what happened? I began the year writing - nothing. Nada. Zilch.

Not only that, I didn't feel like writing. I didn't want to write. And so I didn't.

I tried a few times, but the efforts were half-hearted. None amounted to anything. Soon, January had passed and it was February. The goal was pretty much shot. You see, to make one million words in a year I have to write about 2,800-words every day. And after 31 days I was already 85,000-words behind schedule.

So the goal was over. No realistic chance of making it. Because I'm not foolish enough to believe I would write EVERY day. Even last fall, when I wrote two novels in about six weeks I didn't write every day. Just most days. So my average daily output - when I wrote - would be nearly doubled. Over 4,000-words every day I wrote. It wasn't going to happen. Pressure off.

So what happens in February?

About mid-month I get the idea to start writing a new hero story. Ten days later I have a completed draft of 40,000-words. How was this possible when just a few days earlier I didn't want to write at all?

Well, the obvious answer is that we filed our state and federal taxes. Our income has continued to drop steadily for the past seven years which means we are still getting returns instead of having to pay in. The returns we got this year meant we could stay in the apartment another few months. One level of stress removed. Temporarily.

But I think there was something else going on. And it's what I alluded to at the top of this post.

Last November I tried to do the Nano thing. Didn't like it. Even though I never officially signed up. So I quit it. Immediately after quitting I finished my novel with days to spare.

I think a LOT of writers make the mistake of setting an artificial deadline for completing a writing task. Now when you have been paid to get something done by such-and-such a date, that's one thing. Or if a writing contest, or submission window has a cut-off date, that is also something. But when the deadline exists simply because you said it would, it's artificial. And creativity can't work in that kind of an environment.

I did not set out last year to write a million words. (Just as well, seeing as I didn't quite make it.) But I wrote prolifically. This year I set the goal. Couldn't write a thing.

Write a novel in a month? Seemed an easy enough challenge, seeing as I can produce a novel in 2-3 weeks. Couldn't do it.

Artists - even amateurs such as myself - don't work well under artificial deadlines. Some do. And if that describes you then by all means go for it! But if you find yourself setting deadline after deadline, and you can never achieve them, then perhaps it's time to say, "To hell with getting it done by July. It will be done when it's done. I'm just going to write what I feel like. And when." And who knows? You may find yourself writing every day.

Just a thought.

Friday, February 26, 2010

The Hard Part is Upon Me

Well, the reveling is over and the editing has begun. (ye-ay)

I'm not a good editor. That's because I'm not a good critiquer. The things others see tend to be blatantly obvious.

But I generally miss them.

But I'm trying.

I know the theory that if I were to put the story away for a month or two, and then come back to it, I would probably see the obvious, too. There's a problem with that approach. At least, in my case.

You see, if I put anything away for that length of time my brain decides it doesn't matter anymore and I WON'T pick it up again and see the obvious. I won't pick it up at all. So I can only afford a day or two and then I have to get cracking on it.

So that's what I'm doing with my latest hero story. I'm cracking on it.

I think it's a good story. And fairyhedgehog, who's comment in my previous post reveals she has read it, too, also likes it.

It's not a perfect story. It needs work. There are things which even I see as obvious. And those are the things I am going to work on. What's the term? Low-hanging fruit.

I'm still early in the first chapter, but I'm making adjustments here and there. It's coming along. I read fast, write fast, and edit quickly. So perhaps in a week or so I will have a "polished" draft. Kind of brassy of me to say that. And, like all brass, to TRULY polish it will require some heavy elbow grease and hard work.

That will be the third write.

Maybe I'll just have it plated. What do you think?

Wednesday, February 24, 2010

Chalk Another One Up

Well, I have done it. I have completed my latest draft. It's a 42,000-word story about my latest super hero. Began it ten days ago. Or was it eleven?

I love it when things come together and a story just flows. That's what happened with Fire Red: Hot Times.

Now comes the hard part: Editing.

Wouldn't it be great if we could just write great pieces of art on our first try? Supposedly, there are writers who do that. I'm told Dick Frances never changed a word once he wrote it. He did all of his editing in his head beforehand. Not sure I believe it, but as I can't disprove it I'll accept it until I hear otherwise.

Unfortunately, I'm not like that. My first drafts read like, well, first drafts. And that means I have to rewrite them. Not fun.

In the meantime I intend to revel in the fact that I wrote another story. Huzzah, huzzah.

Saturday, February 20, 2010

Finding a Story

Been writing my new hero story, and it's been coming along nicely. Not perfectly. Nicely.

Most of my writing has been taking place in the early hours, between four and eight in the morning. But I have done some during the day, too.

The story hasn't gone completely as I originally planned. But then how could it? When I began writing I had little idea of the plot. However, by the end of the first paragraph I understood my character's inner conflict. Halfway through the first chapter I knew my antagonist. Well, I knew him from the first. What I didn't know was how he would work his way into the story.

It's a risky way to write - beginning without knowing when one is going. I've done it many times, and I must confess that most of the time it just plain does not work. I start writing without knowing where I'm going and that's exactly where I wind up. Not knowing where I'm at.

But sometimes it works. It worked this time. I'm glad.

Do you ever write like that? You have an interesting character, but you don't know what to do with her? So you just start writing and let her tell you her problems, and she and the characters she meets let you know what the story conflict is. Like I said, it doesn't always work.

Contributors

A Tentative Schedule

Monday - Progress Report
Where am I with regard to the Current Book

Tuesday - Thoughts About Writing
I was going to be profound, but let's be real

Wednesday - What Am I Learning
What can I take from what I am doing

Thursday - Work Sent Out For Review
Respondes to my submissions

Friday - Other Works of Fantasy
Some of my other fantasy writing

Saturday - The Impact of Music
How music has influenced what I write

Sunday - Venting
My 'morbid' time. A safe compromise, I think